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Hi, my name is Augustine
Kluoda, I am from Lithuania, studying sculpture Vilnius Academy of Arts, Kaunas Art Faculty. Italy went on the tenth day of February, and will be here until July.
probably still in high school, I realized that never escape from the attraction to classical sculpture. Maybe it's a problem, maybe not, but I first read the statue's eyes. I know how art critics despise the allegedly Western perceptions of the work, but I often feel too tired and my eyes are required by beauty. I still can not atsigėrėti Italian Baroque sculpture of mastery, but most Giuliano Finelli. Erasmus chose Italy because I have a very long list skulptūrų, kurias norėčiau čia pamatyti gyvai.
Juo daugiau studijuoju šiuolaikinį meną, tuo didesnė apima depresija, bet kartais imu tikėti, kad galbūt kada nors pavyks apjungti tradicinę manierą su konceptualiu šiuolaikiškumu, bet kolkas aš buvau susikoncentravęs ties technikos tobulinimu ir savo darbų tikrai negalėčiau pavadinti meno kūriniais, veikiau tik pratimais lavinti vizualinę klausą. Jeigu atvirai, tai tikrai nekenčiu beveik visų savo darbų, nekenčiu jų neišbaigtumo, o neretai ir sunaikinti užsimanau visus juos ir viską pradėti iš naujo... Na, bet kaip bebūtų vistiek jums pateikiu keleti savo galbūt nelabai sėkmingų studijų pavyzdžių ...
google translate .. Translation from Italian to Lithuanian




Welcome Welcome, Augustine
Kluoda my name, I am from Lithuania, studying sculpture at the Art Academy in Vilnius, Kaunas Faculty of Arts. Italy went on the tenth day of February, and will be here until July.
probably still in school, I realized that never escape the allure of classical sculpture. Maybe it's a problem, maybe not, but I read the eyes of the statue. I know how art critics despise presumably Western perceptions of the work, but I often feel too tired and my eyes are required by beauty. I still can not atsigėrėti mastery of Italian Baroque sculpture, but most of Giuliano Finelli. Erasmus chose Italy because I have a long list of sculptures, I'd like to see live here.
The most studied contemporary art, the greater the depression include, but are sometimes fashions to believe that perhaps one day be able to combine the traditional way with a sophisticated conceptual Been posted but I was focused on the technical development of their work and I can not call art, but only exercises to develop visual hearing. To be honest, you really hate almost all of their work, they hate the rough and often destroy all its convenience and a new beginning ... Well, as you can still bring some 'of their study could not have examples of success ...

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URGENT-IMPORTANT-IMPORTANT

PLEASE TAKE NOTICE

TESTS OF SCULPTURE SARRA TUESDAY MARCH 1, 10 am 13 HOURS.

AND THEN STARTING AT 14, 30. AT 17, 30

WEDNESDAY, MARCH 2. AT 10, 30 REUNION OF THE SCULPTURE LABORTORIO.

AT 14, 30 LESSIONE FRONT.

THURSDAY MARCH 3, COLOQUI

THANK

FRANKO XXX

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London

Hello everyone, we
Mark and Gloria, we saw some flights to London, and a fairly inexpensive hotel, the Inn Murble Arch, near Oxford Street, Hyde Park etc etc ... that may not be too expensive.
Take a look and if you're interested, we could make a group booking. The days that we thought we were 9 to 16 May. Hello

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opportunity made to me to know,,,,

Dear Colleagues,

will take place shortly, the second edition of "Premio Fish" curated by Ludovico Pratesi, we were invited to participate and of course thinking about the opportunity that we have adhered we can give our students.

Each chair is invited to present two students, each of which will have the opportunity to submit only one work, representative of his research, made by any technique, from painting to video.

Each chair will present the work of selected students in a CD: The images (photos) should have a resolution of 300 dpi (CMYK) captions and a brief curriculum vitae.

videos and pictures will be published on the museum.

The opening of the exhibition is scheduled for April 2 about the materials on magnetic media must be submitted to the Centre for Visual Arts by Fish Pesaro March 25, So I ask you the kindness to send to our students ABA secretariat (Mrs. Julia) all materials by March 21 so you have time to prepare the package and send it.

The jury is composed of:

Ludovico Pratesi, Artistic Director of the Centre for Visual Arts in Pesaro, Letizia Ragaglia, Director of the Museion in Bolzano and Andrea Burned, Director of Art Gallery Contemporary Monfalcone. The jury will nominate the winner of the opening day.

The winner of the prize will be given the opportunity to publish, publisher Silvana, a catalog of its production at the expense of the museum.

Once selected, students tell me their names and their contact details via e-mail or in person on Tuesday and Wednesday in the Academy.

Thanks

Paola Taddei

Culture Commission ABA Macerata

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imporant argument glory and monica.

glory and dear monica, unfortunately I can not get there before 2 in Ancona. but I could get from you will find it for 3 and then go to the academy Perl 5 you think. Atra

the idea there is also the morning just to sabotage the thesis. then we can make the second part on Saturday and then Saturday morning or even the monica at 515 on Friday afternoon, sorry for the mess xxxx

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she 's also a curator and writes. Look www.rebeccadelmenico.com

lives in Italy. You can also see him do your work.

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know this artist? and I think 'very interesting. everything by hand and oil and also makes some beautiful engravings ..

www.billoni.it

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proposal for a workshop at the Swiss-CAT - 2012 - rejected. 2

GUYS FOR YOUR INFORMATION BY MARIO FROM CASANOVA CAT - Ticino - Switzerland

Dear Franco___

besides your fees, which appeared in all we too exorbitant (.00 * 12,000 € net of expenses), you must add all the other costs relating to the lecturer, who - even them - must be paid, it is difficult to understand the extent to which it is involved in the CACT nature of exhibition space. If the workshop will conclude with an exhibition, are from other budget costs. In short, the budget is unclear and is likely to swell dramatically, from which it is assumed that the costs for the application of the parties is / are too expensive. Imagine also that your guests are exempt from paying the costs of participation, but we should cover travel costs and so on.

overflights on the title of the workshop, incorporating paro paro, even if all causally, another that was used by us for an exhibition which opened last October 2.

Another highly questionable is your request to personally select participants and lecturers, which neither I myself nor the other of the CACT we intend to support.

short, too many costs and lack of democracy for which the Centre has always profiled in our area as a place open and not closed.

inform you, therefore, not to accept and develop the workshop program that you proposed.

wish you good job, I send you my cordial greetings.

__________mario casanova

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reflection n.2
study

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reflected by Loretta Fabrizzi to all the professors' s Academy of Macerata

Dear,
with deep regret I must inform you that this year, with much
likely due to administrative difficulties will not be able to shop
or renew subscriptions to magazines, nor think to take the
procedures for the electronic catalog.
Thank you for the reports that you sent me, wait for better times
.
Warn your students that what was there. It will mean that I shall take advantage
to give a general system. A hug

loretta

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